The tango says that twenty years is nothing, however it isn't true.
The tango says that twenty years is nothing, however it isn't true. For a corporation like La Perla, 29 is a lifetime, the consolidation of a creative venture that has borne tasty fruit in Barcelona theatre. To shut the celebrations of those twenty years, its director, OriolBroggi, provides the general public an entire Goldoni: Coralina, the loving servant, on the theater of La Biblioteca.
"Summer season is coming, we got here out of some tough occasions, we have now carried out darker works and it occurred to us to get better the concept of making one other Goldoni", declares Broggi, referring to a different profitable piece of the home, L'hostalera, which was directed by Pau Carrió. "Goldoni is far more than a comedy. It was tough to elevate and assemble, however it is vitally simple to see: very good, spherical and enjoyable. And we're joyful to have the ability to current this nice crew, as a result of we love to do theater with a giant manufacturing".
The director refers back to the ten performers who convey this 18th century piece to life, headed by Mireia Aixalà, accompanied by a solid that features a few regulars from the home: Joan Arqué Solà, Xavier Boada, Rosa Gámiz, Clara de Ramon, Xavier Ruano, Sergi Torrecilla, Ireneu Tranis, Ramon Vila and Jaume Viñas.
Coralina is the servant of the manor of Ottavio, who has been introduced up with the inheritor, however now the lord is widowed at a complicated age and has remarried to a lady who pulls all of the strings cunningly with a purpose to that his personal son be the recipient of the previous man's inheritance. He has managed to banish the younger man, and Coralina, demoted to the standing of a last-level servant, has determined to observe him. Coralina, nonetheless, units out to revive Ottavio's son's good standing. The mess is served.
"Goldoni may be very fashionable - assures Aixalà -. Ladies are smarter, they're those who transfer the world and the maid is the neatest. Actually, the servants are smarter than the masters”. In line with the actress, "it appears to be quite simple as a result of apparently nothing occurs, however issues do occur, and the characters are very advanced. As well as, we continually break the fourth wall”.
"The connection between servants and lords, and between women and men may be very important - remarks Broggi-. These are relationships that we're engaged on as a society at this time. The three ladies within the play are those who generate and remedy the motion. Typically they are saying sentences that appear written at this time."
"What's extra sophisticated is discovering the precise tone - confesses Broggi-. Goldoni takes the custom of commedia dell'arte with out masks and creates a brand new theatricality in Venice, a metropolis that's being remodeled. We now have to position it in our second. Doing Goldoni and watching Goldoni at this time is thrilling”.
Vila indicators with Broggi the model they've made, "which isn't an adaptation", the place they don't play with the Venetian and the Italian normal. "Goldoni makes good use of the cliché that claims that essential issues are stated in a easy method - says Vila-. With the characters it's a must to do it very properly in order to not put extra bread than cheese. The actors and actresses have additionally helped to search out the model and tone."
Coralina, la serventa amorosa is the final play of this season of La Perla 29. It premieres on the La Biblioteca theater on Might 31 and can tour Catalonia subsequent 12 months. "It is not an Estrella Damm advert, nevertheless it's a summer time music that caresses you", concludes Broggi.
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